Javascript is disabled
We're sorry but our website needs Javascript to be enabled in your browser.
Please do so and reload page.
Please click here to go to the homepage
We're sorry but our website needs Javascript to be enabled in your browser.
Please do so and reload page.
Please click here to go to the homepage
Show your work to art enthusiasts and collectors worldwide and get the recognition you deserve.
Discover exciting art from rising talent across all disciplines from all over the world.
Define trends and shape the market by creating collections of your favourite works of art.
Sell artwork you made or own to enthusiasts and collectors around the world.
Own unique works of art and support the artists who make them.
Artista de formación autodidacta, residente en Buenos Aires. Reseña su actividad en el arte en su blog/diario de artista Espacio Farnelliano,
Artista autodidacta nacida en BUENOS AIRES, ARGENTINA. Ha exhibido su trabajo en importantes espacios culturales de Buenos Aires: Fondo Nacional de las Artes, Manzana de las Luces, Centro Cultural Recoleta, Cabildo Histórico de Buenos Aires, Centro Cultural Borges, Biblioteca Nacional, entre otros.
En el exterior ha exhibido sus trabajos por distintos espacios de Río de Janeiro, Brasil; Punta del Este, Uruguay; Acapulco, Tijuana y Guadalajara, México; New York, Tusón y Miami, USA; Arad, Rumania, Hong Kong, República China, Galicia, Madrid, Cordoba y Gerona, España y en Londres, Inglaterra.
Su obra ha recibido más de una veintena de premios y menciones, tanto en la Argentina como en certámenes internacionales celebrados en México y España.
There are no favourites yet.
There are no curations yet.
What motivates an independent artist? Not the money (selling the work is exceptional and if it happens, the values ??of the primary market are always minimal). Not recognition (not belonging to the system ensures not having access to popularly accepted means of dissemination and validation). Not a future of glory (there is no "success" or "future" on the outside). So? It is evident that the independent artist dedicates the life to the art for reasons unknown and incomprehensible for the majority.
Borges says, quoting Carlyle, "All human work is despicable, but its execution is not." It is about doing, of the execution, of the creative process by the creation itself, independent of the result and of eventual benefits. Do. Just for the doing. Art is a constant present, a catch of time, an eternal in the meantime.
The independent artist is probably so busy creating that he does not have time to pay attention to Mr. Market. And the market can´t forgive that indifference.
Buenos Aires, December 21, 2016
Does it justify mortgaging creative freedom to belong -precariously-to an art market typed by the gurus of the day? Personally, I think not. That to condition the work to the criteria of a "referential" critic or curator, in exchange for a dubious acceptance, is simply not to perform a personal and exclusive work, but only to manufacture a serial product designed by others.
Prioritize freedom and stay out of the radar of "success" and "recognition"? Yes. Especially if that "success" is nothing more than being accepted as a member of a court, of the submissive retinue of the fashion guru. "Recognition"? Like one more of that ephemeral glow of a moment. Part of the pile.
.
On these sides of the planet, not adhering to the trend, not having a "godfather" of prestige to protect us, was synonymous with not entering the market, to the extreme of being very difficult to get to show our work to the public. But times change and the internet kicked the board. Today any independent artist, marginal and orphaned by favors, can spread his work without having to submit to anyone. The web gave us the visibility that guarantees (if we have the courage) to exercise our absolute creative freedom. Are there risks? Sure, there are always risks. To demonstrate our lack of talent and the mediocrity of our work, for example. But that is the eternal risk of those who give our existence to art with total honesty.
Buenos Aires, December 7, 2016
For an independent artist in Buenos Aires it is essential to have paid work outside the field of art in order to survive. Without gallery, sponsor or government sponsorship of any kind, everything we do will be solved exclusively by ourselves. Thus, with a budget almost always very adjusted, creativity will not be limited to the work but also to the means to be able to realize it.
My choice of role as priority support for my work was initially purely a matter of cost. The paper was the cheapest. The need for the support not to be so sadly basic forced me to experimentation and search. And that demand, motivated by limitation, often ends up being the true inspiration, the origin of our developing more and more our visual perception, composition and technical mastery, in short, the engine of aesthetic ingenuity.
The challenge of the limit (imposed by our scarce economic resources) can be the fulcrum not to move the world but to create it with what there is. Maybe it's true that "less is more"... Today I could provide more classic and expensive materials, but the paper has become my fetish. I have become accustomed to that if it were easy, where would be the fun?
Buenos Aires, November 22, 2016
